Electronic Documents on celtic engagement rings
Celtic Jewelry is an excellent way to express your heritage as part of your
wedding. Rings are the central prop in the wedding ceremony. Celtic design
wedding rings are a way that your heritage can be displayed on a daily basis for
the rest of your life. There is also a rich tradition, which sadly is now rare,
of using brooches as betrothal gifts. Earrings, pendants or brooches make
excellent gifts to bride’s maids. They are sentimental reminders of the wedding
that can be worn by the recipients in the for the rest of their lives.
Traditional men’s jewelry items such as cuff links, kilt pins, tie tacks or belt
buckles can be given as attendant gifts to the best man and groomsmen.
Symbolism of the Celtic wedding ring. Rings that display Celtic knotwork are
becoming increasingly popular choices for wedding rings in the Celtic homelands
and among the descendants of the Diaspora abroad. The circular shape of the
wedding ring, since it has no beginning nor end, is a symbol of endless love and
devotion. The endless strand of the Celtic knot is also a symbol of eternity and
is a beautiful compliment to the symbolism of the ring itself. The crossing of
the strands of the knot represent the interwoveness of our lives. Many designs
link repetitions of knots with continuous strands linking each to the next. The
meanings of these designs are not a strict symbolic language but are open to
interpretation. You may think of the continuum of repetitions as representing an
unbroken chain of generations. The interlace can represent the way in which the
lives of the bride and groom are to be intertwined. Heart knots of course
represent love. Feel free to use your imagination to tailor a personal symbolism
for the rings you choose.
There are very few knots that can be said to be specifically Scottish, Irish, or
Welsh. Knotwork as an element of Celtic design originates in the early Christian
period, fourteen hundred years ago. At that time what we now call Celtic art was
an international style that spread with the influence of Irish missionaries to
Scotland, Wales and beyond. It is only in the past three hundred years that
these designs began to be considered emblematic in a nationalistic way. The way
that Celtic design identifies the wearer with a Celtic heritage is another very
powerful reason for choosing a Celtic ring.
Choosing a ring.
Many Celtic rings have been given names either by their designers or by clever
marketers. Names such as the "Lover’s knot" or "the Eternity knot" each sound as
if they must be a very specific design with a traditional legacy. In fact any of
the Celtic knots can be said to share the sentiments of either of these names or
many others. It would be a mistake to base your choice of a ring on what the
supplier chooses to call it. Choose instead on the basis of how it looks and
what the design means to you as you seek significance in the design. If you
choose a knotwork ring be sure that there are no mistakes in the alternation of
over and under crossings of the cord and look out for short cuts in design made
for the sake of sizing. Some designers handle the sizing problem in ways that do
not aesthetically or symbolically compromises the design. Others who do not
fully understand the significance of the design butcher them for the sake of
sizing.
Celtic wedding bands do come in sets with diamond engagement rings. In order to
show Celtic design on a ring, a certain amount of width is needed. Many brides
feel that two such bands on the same finger is too much. Many solitaire diamond
rings will go very well with straight sided Celtic bands. For others the set is
preferred. In addition to the alternative of wearing a solitaire along side of a
Celtic band some people choose to have just one ring with a stone to serve as a
wedding ring. The engagement ring is actually a rather modern concept. In the
old days brooches were common as engagement or betrothal gifts.
Claddagh Rings, [ klah dah] or [klay dah], the first pronunciation is most
common.
These rings date from the 17th century. Two hands clutching a heart are for
friendship, the crown for loyalty or fidelity and the heart symbolises love.
Claddagh rings have become very popular in recent decades especially among the
Irish. There is a custom of wearing it on the right hand facing out if the
wearer is single and not spoken for or facing inwards on the right hand to
signify that there is a sweetheart. On the left hand the ring worn outward is an
engagement ring and at the wedding it is turned inwards to signify the final
devotion of the heart in marriage. Claddagh brooches, earrings, buckles, tea
towels and practically anything else are now on the market. The claddagh is a
beautiful symbol with a quaint heritage but unfortunately it is becoming cliched
and over used.
Brooches were important for fastening garments in earlier times and are still
used in that way, especially for women’s scarves or plaids. A plaid, pronounced
so that it rhymes with "maid", is a tartan sash or cloak worn by either sex.
When worn by a man it is usually with a kilt. Scottish weddings frequently
include the custom of the groom pinning a plaid of his clan tartan on his bride
as part of the wedding ceremony.
There are several types of brooches that are of specific interest to someone
planning a wedding. The Luckenbooth brooch is a traditional piece of jewelry
that takes it’s name from the "locked booths" were they were sold in Edinburgh
in the 16th and 17th centuries. The design, very much like the claddagh,
incorporates the heart and crown. There are many variations, often two hearts
are intertwined or in some examples the hearts are formed of a stylized letter
"M". The origin of the design came from the royal monogram of Mary Queen of
Scots. A luckenbooth brooch is frequently used as a love token because of the
heart motif. There is a superstition that a luckenbooth brooch pinned to a
baby’s blanket will protect it from the evil eye or from fairie mischief.
Curiously, in 18th century North America the luckenbooth brooch was adopted by
Iroquois Indians who traded for them and copied them from Scottish settlers on
the frontiers and from Highland soldiers that were involved in the French and
Indian War.
Penannular Brooch
Some traditional Celtic brooch forms that are enjoying renewed use are the
annular and the penannular brooches. The terms for these brooches are frequently
confused. These brooches are designed with the pin crossing a circular opening
so that it works rather like a belt buckle. The penannular brooch has a break in
the ring so that the pin may pass through and be twisted to lock it. The annular
or ring brooch is more secure and works by pulling a gather of cloth through the
center and then pinned through. People who delight in old fashioned and
authentic accessories prefer these. Many people find these brooch forms awkward
to attach and so they are often now made (shudder!) with fixed pins and modern
safety catches on the back. The most famous Celtic brooch is the Tara Brooch,
now in the Irish National Museum. The Tara Brooch is actually a pseudo-penannular
brooch. It looks like a penannular in its shape but since the ring is solid it
cannot attach in the same way.
Medieval annular type designs influenced later plaid brooches in that they are
frequently round. Men’s plaid brooches are usually about two inches in diameter
in Scotland. The larger "piper’s" brooches are three or four inches and
frequently are decorated with a large gemstone. This stone is most commonly a
tea colored "Cairngorm" which is a quartz found in the Highlands. Authentic
Cairngorms are no longer available and citrine or smoky quartz are substituted,
usually from an imported source . Amethyst is also popular in traditional
jewelry.
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